9th – 30th January 2016 Thursday – Sunday 12-6pm or by appointment. Artists; Sarah Beddington, Beth Collar, Aleksandra Domanović, Mathilde ter Heijne, Aura Satz, Maud Sulter, Niina Vatanen and Ye Funa Secret Agent is a group exhibition composed from the viewpoint of feminist authorship in contemporary art practices. The artists in the exhibition actively challenge the institutional structure of history and patriarchal authority – and imagine alternative narratives, often through the specificity of lens-based media. Acts of image-making, archiving, or guerrilla information tactics enable visibility and challenge relationships between author and authority. Each artist utilises language and the literary in dialogue with image-making to harness the intertextual, as archival photographs and stock footage are transformed through repetition, re-staging and re-imagining. Representation of western history through both image and text, with the inherent parallels between historical and photographic truth – and the legacy of radical image/text practice in the 1970s and 1980s – are central to the development of this exhibition. The enabling of voice(s) of authorship whereby subjectivity is activated in order to challenge the …
Duane Michals, Things are Queer, 1973. Read the post for more photos from the series. From the book: Duane Michals, Things are Queer. (Cologne: Edition Anne & Jürgen Wilde, 1973).
These photographs were taken by Muge, a Chinese photographer. I first saw them in the Atsushi Fujiwara’s photo-book exhibition at the Format Festival. They belong to a series entitled “Going Home”. They were taken quite literally during the photographer’s journey home, an area upstream of the Changjiang. These photographs recorded immigrant revisitations home, painting a portrait of movement and the meaning of place and identity in an immigrant community (de- and re-territorialised). Differing from regular labour immigrantsin China, these peoples were forced to move away from their traditional ‘homes’ due to the building of the Three Gorges Dam. They remind me quite poignantly of Zhangke Jia’s film Still Life （三峡好人）; both cannot return to a geographically located home anymore, and instead must re-imagine and reconstruct one. 这些照片的拍摄者是中国摄影师木格。我第一看到这些作品是在今年的Format国际摄影节。木格的作品被收录进藤原敦的摄影图册展览中。 这个系列的作品被命名为“回家”。实际上也真的是拍摄于摄影师回到长江上游家中的旅途中。拍摄的题材则是移民重归故里。不同于中国常见的劳工移民，这些出现在画面中的人多数是因修建三峡水库被迫离乡背井。 看到这些照片，我立刻回想起贾樟柯的电影《三峡好人》。这些都是回不去家的人。
Photographs on Dai Jianyong’s Wechat. Photo by Dai Jianyong See the review at Sina.com: 私评论：戴建勇的纽约地铁 Update: From 2014 to 2015, it has been a good year for Dai Jianyong until last month. He went to New York to be a resident artist for 3 months and won a few rewards. He joined influential artistic projects in Beijing and considered to move to Beijing. When I met him during my research in Beijing, I agreed to write a review about his new project. This Chinese review was published on Sina.com, which is also the owner of Chinese twitter Weibo. Then, things turned tougher for Dai in last month. Fortunately, it’s alright now. I hope he has a brighter future. Good luck. Fangfei, July 2015
Diary:1/20000, by Dai Jianyong Curated by Fangfei Chen and Hemera Collective. This exhibition was invited to join in the The Gallery Project’s 2nd exhibition season. The Gallery is a multimedia art project created by Chinese artist Xin Wang in 2013. It is part of the Chinese Visual Festival 2014, which ran from 7 – 18 May at King’s College London and consisted of 16 exhibitions over 10 days, with each exhibition lasting five hours.
Analyzing the Concept of Photographic Communities Through the Photographic Projects of Nan Goldin and Zhe Chen | New York Photography Diary Visit Chen Zhe’s website here
Tseng Kwong Chi 曾廣智 (1950 in Hong Kong – 1990 in New York).